Devendra Banhart Goes For Adds

Posted on Sep 16, 2019
Devendra Banhart Goes For Adds

The simply titled Ma is Devendra Banhart’s third album for Nonesuch, one that addresses—often in a beguilingly oblique way—the unconditional nature of maternal love, the desire to nurture, the passing down of wisdom, the longing to establish the relationship of mother to child, and the consequences of that bond being broken. Banhart doesn’t approach the album’s maternal theme in a literal way; rather, by contemplating it, alluding to it, regarding the concept of motherhood from different angles, he has fashioned an album of multiple, intertwining narratives. Its concerns are both personal and global, with subtly autobiographical looks at life and death and ruminations about the precarious state of the world. The many lighthearted moments of Ma are balanced by deeply melancholic, even somber ones. Three tracks are in Spanish, the language that is as much Banhart’s native tongue as English, and one in Portuguese.

Banhart, who spent his childhood in Venezuela, has been profoundly affected by the poverty and despair he’s witnessed there. His concern over the dire situation in his motherland drew him back to the Spanish language: “My brother is in Venezuela, my cousins, my aunts and uncles. They are just holding their breath, in gridlock standstill.There’s this helplessness. This place that has been a mother to you, that you’re a mother to as well, and it’s suffering so much. There is nothing you can do but send out love and remain in that sorrowful state.” Banhart and his GRAMMY Award–winning producer-musician and longtime musical compadre Noah Georgeson started this particular musical journey when they were invited to record in a special room at a venerable old temple in Kyoto, after a short Asian tour. That served as a musical and spiritual prelude to what was to come. Back in California, they recorded at 64 Sound and Sea Horse Studios in Los Angeles and Anderson Canyon in Big Sur. Welsh singer-songwriter Cate Le Bon contributes background vocals on “Now All Gone” and Banhart’s mentor, muse, and dear friend, the folk legend Vashti Bunyan, duets with him on “Will I See You Tonight.” Notes Banhart, “Vashti is the archetype of the mother, one of the most important people in my life. It was so beautiful to sing this duet with her.” Ma’s album artwork features an oil painting of Banhart’s.

“There is a truth and authenticity to the songs here—not because they’re autobiographical (though some clearly are) but via their warmth and generosity. These are vignettes of lived experience, rather than whimsical fantasy … Groovy and moving, in all the right directions.” —MOJO

“Venezuelan/American songwriter Devendra Banhart’s singular world remains as intoxicating as ever on the earthy, analogue-sounding ‘Ma’. With lyrics in English, Spanish, Portuguese and Japanese, it feels as if all human life is here … it’s a starkly human moment from a man more often known for his dreamy impishness.” —Q Magazine

Recommended Tracks: Track 2, “Kantori Ongaku,” Track 4, “Memorial,” Track 8, “Abre La Manos,” Track 9, “Taking A Page”

RIYL:  Os Mutantes, Cass McCombs, Joanna Newsom, Andrew Bird, Destroyer, Jessica Pratt, Akron/Family, Rodrigo Amarante, Sufjan Stevens

FCC Clean

Label: Nonesuch Records

Goes For Adds 9/17

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